How copyright arises automatically in an original work and what registration with the Copyright Office adds - the right to sue, statutory damages and fees - together with the elements of an infringement claim, the exclusive rights it protects, and the remedies and defenses on both sides.
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Copyright protects original works of authorship - writing, music, images, film, software, architecture, choreography - from the moment they are fixed in a tangible form. No notice, publication or registration is required for the right to exist, and the © symbol is optional. Copyright does not protect ideas, facts, procedures, systems or methods of operation, only the particular expression of them, and it does not protect titles, names, short phrases or slogans, which are the province of trademark. The owner holds a bundle of exclusive rights: to reproduce the work, prepare derivative works, distribute copies, perform and display it publicly, and for sound recordings to perform it by digital transmission. Ownership belongs to the author, or to the employer for a work made for hire, and lasts for a term fixed by statute.
Registration is a formality with teeth. A United States work cannot be sued on until the Copyright Office has registered it or refused it, and only a work registered before the infringement began - or within a short grace period after first publication - is eligible for statutory damages and attorney's fees; an owner who registers after the infringement is limited to actual damages and the infringer's profits, which are often hard to prove. Registration also creates a presumption of validity if made within a period after publication, and is required to record the work with customs. It is inexpensive, done online, and the certificate is the exhibit every infringement case begins with.
An infringement claim requires ownership of a valid copyright and copying of protected expression - shown by direct evidence or by access plus substantial similarity - that amounts to an improper appropriation. Independent creation is a complete defense, as are license, fair use and the first-sale doctrine, under which the owner of a lawfully made copy may resell or lend it. Remedies are an injunction, actual damages and profits, or at the owner's election statutory damages per work within a range the statute sets, raised for willful infringement and reduced for innocent; impoundment and destruction of infringing copies; and attorney's fees at the court's discretion. Criminal penalties apply to willful infringement for commercial advantage or on a large scale.
For a creator or small business the cheapest legal advice in this field is to register early and in batches, because the difference between a registered and an unregistered work at the moment of infringement is the difference between a claim worth pursuing and one that is not. A person who finds their work copied should preserve the evidence - screenshots with dates, the infringing URL, purchase records - and consult a lawyer before sending a demand, since a takedown notice, a license offer and a lawsuit are different tools for different infringers. A person accused of infringement should ask about fair use, license and the registration date before paying anything.
Worried about the cost? A lawyer can be hired for one part of a case only (limited-scope representation), may be paid from what a claim recovers (contingency fee), or may be free through a pro bono program or legal aid; a court can also waive its own filing fees.
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Other entries in the same area of law, each written from the same primary sources.